Heather

Beautiful young lady with a very sunny disposition.

Leica M9 + Canon 85mm f/1.8, shot wide open. Christmas 2011.

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Dancing Light

Noted photographer and author Robert Adams wrote “When Photographers get beyond copying the achievements of others, or just repeating their own accidental first successes, they learn that they do not know where in the world they will find pictures.  Nobody does” in an essays in his excellent book titled “Why People Photograph”.  You can read my review of this book here.

Somewhat akin to this idea of photographic serendipity that Adams alludes to, I did not set out to consciously create this image.  I was photographing the Singapore skyline at dusk.  With darkness fast approaching, I noticed this young lady shooting the skyline at the water’s edge.  I intended to focus on the water and have her somewhat blurred in the foreground simply from shooting at a bigger aperture.  However, the light had dropped considerably and when I squeezed the shutter release,  the Ricoh GXR camera compensated for the low light with a slower shutter speed, capturing the young lady as she moved.  Not what I expected.  Nonetheless, this is one of my favorite images.  I call  it Dancing Light.

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Software review – CardRaider

Software Utility:  CardRaider
From:  ecamm
Price: $19.95
Description: A utility for Mac OS X computers that can recover deleted images
from memory cards
OS/Platform: Mac OS X only. Not available for PC

 

Memory cards that are used with cameras (and other devices) can get formatted by mistake.  Files can be deleted inadvertently or sometimes the files on the card can suffer corruption. In such instances, having a software utility  to recover the images/movies from the card is very handy and can save one a lot of angst and effort.  One such product is CardRaider by ecamm, a Massachusetts based company that promises something unique in this day and age – from their website, under what they call  their “Customer Service Pledge”, they say: “Whether you need help with sales, order fulfillment or technical support with one of our products, we will treat you like you’ve just walked into our office. No support ticket numbers. No auto-responses. Just direct person-to-person communication to answer questions and resolve issues as quickly as possible.”  That sure sounds good, but how good is their product?

I purchased a license and put it through it’s paces.  Here’s what I found:

Their UI is pretty simple and straightforward.  When you fire up the app here’s what you see:

Note that I had a SD card I had plugged into my card reader and CardRaider immediately detected that and had it selected.  Clicking the scan button tells CardRaider to go off and scan the card for files.

Now, when files are deleted from a card/disk, what really happens is that the areas on the card where that file being deleted is stored are marked as usable.  The actual data is not “erased”.  When new data needs to be written to the card, these areas marked as reusable are overwritten with new data and the old data are lost.  This of course means that if you delete (or format) and need to recover files immediately before any new data are written to the card, you should be in good shape.  CardRaider definitely delivers in this area.  The first card I tested had a 108 DNG files from the Leica M9.  After importing these files into Aperture, I used the Mac OS DiskUtility to format the card.

After verifying that the card was formatted and all previous images could not be seen through the Mac OS X Finder, I invoked the “Scan” function on CardRaider.  About 12 minutes later, this is what CardRaider has to say:

CardRaider had found and could recover all 108 images that were on the card.  Pretty cool!

Next I decided to use a different card and this time format the card in the camera and see what happens.  I had 61 DNG files on the card this time.  Here’s what CardRaider discovered:

This time CardRaider recovered 214 images when I had originally only 61 images on the card.  What gives?!!  It turns out that this time CardRaider not only recovered the 61 images I had just formatted off the card, but it recovered images that had been put on the card on two or three different shoot-and-format cycles!  All that data had not been overwritten on the card and CardRaider happily recovered all those images as well!  Good stuff.  I next tried formatting cards in Nikon cameras, as well as the Ricoh GXR.  CardRaider performed flawlessly in each case.

One thing that initially annoyed me was that as CardRaider starts scanning, each time it discovers an image, it generates a shutter-click sound.  After a while, that can get on one’s nerves.  Thankfully, there is an option to turn that off in preferences.

I also tried with with a card from my ebook reader and again, CardRaider performed flawlessly.  CardRaider supports jpegs and RAW formats from several camera manufacturers.  It also supports several popular movie formats.  You can see the entire list of supported files here.  In addition to file recovery, CardRaider also has a secure erase function that allows deletion of files from card such that they cannot be recovered.

The verdict?  CardRaider is a very useful utility that absolutely delivers what it claims in a clean, easy to use interface.  At $19.95 it is very fairly priced and offers the amateur or professional photographer peace of mind.  Only available for Mac OS X though.  Highly recommended.

Disclaimer:  I purchased my copy and do not have any pecuniary interest or relationship with the folks at ecamm.  Just a satisfied customer.

Knarly redux

I made this image on a recent trip to Napa, California.  I had processed this on my laptop and posted it previously here.

LCD screens on laptops are not very easy to calibrate.  The angle of the screen also makes a big difference to how one perceives the image.  A kind reader, Calvin, had pointed out in the previous post that the monochrome version lacked contrast, and he is right.  After getting home I decided to reprocess the image on my calibrated setup at home and here are the results.  I think both images are improved – the color version marginally so and the monochrome version significantly.  Your thoughts?

Clicking on the image will open up a larger image, for your viewing pleasure:

 

Wine Press – 2

Another image from the visit to Napa.

Leica M9 + CV 35mm f/1.2

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Wine Press

Another one from my short walk after lunch at the company meeting in Napa, California.   Two versions – one the original color, the other a monochrome conversion in Apple’s Aperture.

The CV 35/1.2 doing a phenomenal job pointed straight into the sun.

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Which one do you prefer?

In Napa

Had about an hour or so at lunchtime to see if I could find anything to shoot, while at a company meeting in Napa, California.  The light was harsh and this tree caught my attention.

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Here’s the monochrome version, conversion in Aperture:

Which one do you prefer and why?

 

Of Shower Faucets and Rangefinder Cameras

Confused yet?  Asking what the heck do shower faucets have to do with rangerfinder cameras?  Read on, dear reader!

This morning, attempting to take a shower in my hotel room, I couldn’t get the water to turn on.  I was faced with the fittings you see above.  I figured the big control knob with the faucet style handle turned the water on and off.  Nope.  Didn’t work.  Tried the smaller knob, which I had figured was a control to divert water to the four smaller shower heads.  Still no water.  Got out of the shower and called the front desk to let them know.  The very polite young lady at the desk told me that there was no problem with the water – i had to pull the big knob out to turn on the water.   Getting back into the shower I tried it and sure enough, everything worked.  For a minute there I felt like an idiot.  Then, being in the software industry for most of my career, I began to ponder the cognitive dissonance that can be caused by user-interfaces (UIs) – the knob has a faucet like arm that screams rotation to me.  No clues anywhere that the knob had to be pulled out to turn things on.  Not being used to this type of fixture,  I didn’t attempt to yank on the knob to pull it out.   Partially because something like that once got me into trouble with a plane full of people and very nearly with the FAA, but I digress – that’s a different story.  This sort of user-interface problem we see all the time with poorly designed software – you’re used to a specific way that something works and them someone goes and changes how it behaves, often causing frustration.  This chain of thought led me next to the Rangefinder style camera – usually very simple with the most basic controls that allow one to change shutter-speed, aperture, and with digitals, the sensor sensitivity or ISO and a very basic menu system.  That and the shutter release.  That’s it.  No complex array of controls – buttons, knobs, selectors, menus etc.  To many photography enthusiasts this represents a purity of purpose, a design that drives focus on the bare essentials. An ethos that speaks to the camera getting out of the photographer’s way, giving her total control, arguably in the simplest and most elegant of control interfaces.  A minimalism of design that is incredibly elegant.  A design philosophy that aligns with the dictum to “make things simple but no simpler”.

If one frequents any of the internet photography fora, one comes across many threads that have people arguing with religious zeal for and against rangefinders.  If the rangefinder in question is a Leica, the debate tends to be even more intense and often acrimonious, no doubt prompted by the opinions of many that Leica cameras are overpriced and under-deliver.   There are many that simply don’t understand why anyone would choose to buy a very expensive Leica when a Nikon/Canon/Pentax/what-have-you with all sorts of advanced technology can be had for much, much less.  To me the answer is very simple – the appropriate tool for the appropriate application.  The problem with many of these heated discussions is that people take positions on either side of the issue, without setting a context on the intended use of the tool – the camera.  If one if making fine furniture in low volume, one may well choose to use a hand chisel to carve out the mortise for a mortise-and-tenon joint.  This would require the craftsman carpenter to examine the wood grain very carefully, understand the flow of the grain and, in a sense, become one with the piece of wood before applying a mallet to the chisel.  Failure to do  so could well result in split wooden that would need to be thrown away.  I daresay once the carpenter chisels out the mortise, there is a sense of accomplishment at a job well done.  Why?  Because it requires skill.  It ain’t easy.   Now, it is easier to cut the same mortise with a appropriate bit and a router.   But that requires skill too, albeit a different skill.  For an artisan making handmade furniture, the choice may well be to pick the hand-chisel over the electric router.  For  the craftsman that has to turn out high volume, for example, the hand-chisel is not an option.   In other words, let’s pick the appropriate tool for the appropriate application.  If I want to shoot high magnification macro images, I’m not going to pick a rangefinder.  I’ll pick a SLR camera.  It simply isn’t practical to do macro images with a rangefinder.  It can be done, but it’s not elegant.   In the same way, If I plan to shoot in the street,  the rangefinder is the appropriate tool for me.  Can I shoot in the street with an SLR?  Sure!  But it get’s in the way of the photographer and is less elegant than a rangefinder.   The modern SLR, with all the “features” it has, tends to take away from the absolutely control over the camera that the rangefinder forces you to assume.  Can one shoot an SLR in totally manual mode?  Absolutely!  But is wasn’t designed to be used that way primary, especially if it’s a modern DSLR.  Many a newcomer to photography that jumps in with  DSLR does himself a disservice because modern DSLRs can easily take one into a “machine-gun” mode of shooting where one tends to shoot a lot of images, letting the camera make some or all of the critical decisions,  and the whole thing is a bit of hit-and-miss effort.  Manual everything, in contrast,  forces one to consider everything and set the camera manually to the desired exposure, for example.  This need to think before shooting is likely to make one a better photographer.  Again, can one do this with a modern SLR?  Indeed!  But it wasn’t designed to be used that way.

There are many other reasons why rangefinders can be better in specific applications like street photography and it’s not my intent to go into all of those here.  Suffice it to say the the user-interface often forces process, a way of working that lends itself well to a specific context.  A poorly designed UI or one designed for a different purpose can cause cognitive dissonance.

Ironically, the manufacturer of the shower control I had trouble with is MOEN, a respected german company.  Like Leica.  :)

Historic Argonaut

The Argonaut is a historic hotel in Fisherman’s Wharf, San Francisco.  The sign caught my eye.  While I captured this image, I plan to return one of these days and shoot the sign at dusk when the light is magical.

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Wheel

“Lost in the wheels of confusion
Running through valleys of tears
Eyes full of angry delusion
Hiding in everyday fears”

    – Black Sabbath

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